Silly Sundays - Rupert Holmes - Psycho Drama

Here's a bit of fun from Rupert Holmes' 1973 album, Widescreen, a collection of songs Holmes conceived of as "movies in sound." This is the fullest exploration of that idea from the album, and is more or less a full-blown radio play.

In the liner notes to the expanded collector's edition (where the buy link goes, natch), Holmes writes:

"Had I But Known (as they used to say on such [old-time radio] programs) that in the nineteen-nineties I'd have the chance to write four years worth of such programs for Remember WENN ... I'd probably have traded in this cut for two more ballads."

But if he'd done that, this album would feel a little less special to me.

Rupert Holmes - Psycho Drama
(Link Removed due to my second DMCA takedown notice)
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Silly Sundays - Rupert Holmes - Beef Lo Mein

Here's a track from the soundtrack to Rupert Holmes' 2006 mystery Swing. You can read more about the novel, and listen to the soundtrack, at Holmes' semiofficial site.

The novel is a murder mystery (and, like his first novel Where The Truth Lies, also serves as a metamystery) set in 1940's Golden Gate International Exposition. I won't summarize the plot here, but it's smart and complex, twisty and turny, and simultaneously hilarious and dead serious. Despite the grim, uncomfortable aspects of the plot, there's plenty of time for fun exploration of the World's Fair and 1940's pop culture.

And so, here is a 40's-style novelty song, proving once again that it's hard to write a song about food that isn't funny. (And, funny as this is, the song also turns out to be tragic in the novel. Just go ahead and click the buy link down there, okay?)

Rupert Holmes - Beef Lo Mein
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Silly Sundays - Rupert Holmes - Escape (The Pina Colada Song)

Here's our second post for Rupert Holmes month on Silly Sundays. In 1979, this was a massive #1 hit for Holmes, the song that really launched his career as a popular musician. The album, Partners in Crime, contains a lot of songs themed around unhealthy relationships and cheating, most with a tongue-in-cheek attitude belying the serious nature of the unhappiness chronicled therein.

Which is actually a clue to how Holmes works: he takes a truly unhappy situation and discusses it in a funny way, full of tiny, perfect details and human reactions, and makes you forget just how damned serious the subject can be. (For more, click here and scroll down about 3/5 of the way, for my review of his excellent first novel. In two weeks, we'll be hearing a song from the soundtrack of his excellent second novel.)

Which is why this was a pop hit: people listen to this song, hear the happy ending, and don't think about the fact that this relationship is clearly doomed. If both members of a relationship are trying to cheat, it doesn't matter if they end up cheating with each other -- that's not a very happy ending.

...

Well, that's a little serious for Silly Sundays. Maybe I should've posted something lighter instead. Anyway, come back next week for Holmes' first take on old-time radio, long before he got to create and write Remember WENN...

Rupert Holmes - Escape (The Pina Colada Song)
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Silly Sundays - The Buoys - Timothy

For the month of August, Silly Sundays will be devoted to some tracks written and performed by renaissance man Rupert Holmes (official wiki AMG), the only man to win a Tony and an Edgar for the same work. (We'll be hearing a song from that work later this month, methinks.)

In 1971, Holmes was writing and recording and producing songs with his friend Ron Dante (of The Archies fame/infamy), and his friends The Buoys (official wiki interview). The Buoys were signed for a major label single, but the label wouldn't set aside even a penny for promotion. As such, Holmes had to promote the single himself. He set out to write a song so offensive it would be banned and censored, thereby achieving fame. Inspired partially by Tennessee Ernie Ford's "Sixteen Tons," what he came up with was "Timothy," a dark tale of implied cannibalism.

Holmes' plan worked -- the song was quickly banned by some stations, and the record label issued two different censored versions (boo hiss for censorship!), but it slowly moved up the charts. Which means at one point Casey Kasem introduced the song when it entered the Top 40. The label also tried to defuse the controversy by announcing that Timothy was a mule, which claim was immediately denied by Holmes and the band. The Buoys went on to record two more albums, only one of which was released. The members have occasionally reunited in different formations, and here's a live video of the song from 2005. Holmes went on to record many more albums, write Broadway shows and novels and work with Barbra Streisand, of all people.

Most weeks, I provide a buy link for anything in print, but apparently the available commercial release is unofficial, and The Buoys, and Holmes, aren't getting any royalties, so I won't do it this week. Shame.

The Buoys - Timothy
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PS -- It's my mom's birthday today. She doesn't read this blog, but it's worth pointing out that once, she made the creepiest Donner Party joke I've ever heard. Happy birthday, Mom!